Synth presets and sound banks on this website are the result of my passion for electronic sound and music. Editing patches is as exciting as making music for me. Ending up with a sound that inspires a musical idea is even more fulfilling. Perhaps this is the best test for a patch, if it inspires a melody, a riff or a chord sequence, I keep it, if not, it is binned or modified.
Then again, what I may consider as beautiful, you may consider as noisy or harsh. Whichever it is, I hope that these sounds will inspire your musical creativity.
Let these presets be just a starting point for a further modification to make each sound your own.
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My main area of interest, when it comes to sound design is Physical Modeling synthesis. This method of sound creation allows for very ‘organic’ and ‘alive’ sounds with great performance expression possibilities.
I caught the ‘PM’ bug many years ago while playing a Yamaha VL1 synth in my local keyboard shop. The sounds were truly new and exciting to play and I just couldn’t let go of the pitch modulation wheel, as it brought modeled acoustic artifacts to the sound that I hadn’t heard before.
I’m also a fan of FM synthesis. This is how I learned patch design in the mid ‘90s, on a Yamaha SY77. I have released a collection of sounds for the SY77 which you can read about and hear demos here.
Currently, I’m able to bring all those techniques together in AAS Tassman, which in addition to the above mentioned synthesis techniques, adds a very rich Virtual Analogue sound.
Some of the latest ‘discoveries’ include Krakil’s Stringz2 and Richman2 synths. Both can provide a very beautiful sound that with careful editing will prompt the question “is this a real acoustic instrument”?
Raphael S. aka ‘himalaya’.